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| | |  | This is the 4th movement of Gustav Mahler`s Symphony No.5. It was recorded in July 2000, using a Yamaha MU-80 synthesizer, layered with additional sound fonts. Many tempo changes were required to achieve a smooth musical flow. Read a review by Matt Edwards from the Gods of Music. | Play
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| | |  | The very first "long" orchestral MIDI rendition of the Virtual Philharmonic Orchestra. | Play
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| | |  | This piece is an orchestral arrangement of Piotr Tchaikovsky`s "January" from "The Seasons", originally composed for piano. | Play
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| | |  | The first movement of Antonin Dvorak`s Serenade Op. 44, for 10 Wind Instruments, Violoncello, and Double Bass, D minor. | Play
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| | |  | The 3rd movement of Gustav Mahler`s Symphony No.1. The first MIDI rendition was created in 1995. A later revision led to this recording from 1999. | Play
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| | |  | Third movement from Gustav Mahler`s Symphony No.4. Recorded in September 2000, using a Yamaha MU-80 synthesizer and a set of layered Creative Soundfonts. | Play
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| | |  | An Austrian folk song from the area around Linz, describing the bucolic farm life. "Spring Song", celebrating the arrival of March, and then moving on through the year.
Singer: David Solomons.
Orchestral Arrangement, Rendition, Recording, and Mixing: Reinhold Behringer.
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| | |  | The "inofficial hymn of Austria": Waltz by Johann Strauss Jr., played every year at the Vienna New Year Concert. This recording was created for the New Year 2000. | Play
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| | |  | 2nd movement from Reinhold Behringer`s orchestral composition "Romantic Suite". | Play
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| | |  | Third movement from Reinhold Behringer`s orchestral composition "Romantic Suite".
Read a review of this music by Loren McDonald from Gods of Music. | Play
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| | |  | This work was composed in 2002 for a competition. Its alternative title is "Classical-Romantical Clichees #2", referring to the neo-late-romantic style from which it is quoting. | Play
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| | |  | "Romantical-Classical Clichees #1". First movement of a 3-movement doncerto for orchestra, violin, and cello.
The solo parts for violin and cello have some long "breaks" in which they are supposed to improvise. This version here is without these improvisation, but only with the parts that are supposed to be played exactly as notated.
The music is inspired by late-romantical Viennese Classic symphonies. | Play
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| | |  | First movement of Edvard Grieg`s Suite for String Orchestra. | Play
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| | |  | First movement of Edvard Grieg`s "Holberg Suite" for string orchestra. | Play
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| | |  | 2nd movement of Edvard Grieg`s Suite for String Orchestra "From Holberg`s Time". | Play
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| | |  | 2nd movement of Edvard Grieg`s "Holberg Suite" for string orchestra. | Play
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| | |  | 3rd movement of Edvard Grieg`s Suite for String Orchestra "From Holberg`s Time". | Play
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| | |  | 4th movement of Edvard Grieg`s Suite for Strings "From Holberg`s Time" | Play
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| | |  | 5th movement of Edvard Grieg`s Suite for Strings "From Holberg`s Time". | Play
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